Repertoire
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This page lists the individual compositions performed by La Romanesca. Recordings are available of all titles that are highlighted. By clicking on the title, you will be taken to the page where you can listen to the performance.
The recordings represent an historical archive of concert performances and live broadcasts made throughout the group’s career. The listing is alphabetical by composer. Most of the recordings are not available commercially. Most are analogue recordings that have been digitised from recordings originally made on reel-to-reel tape.
Anonymous (medieval)
Alleluia, non vos relinquam (Organum in style of Leonin, c.1170)
Deus miserere (Plainchant from the Office of the Dead)
Homo qui vigeas / Et gaudebit (Clausula motet in the style of Perotin, c.1200)
Omnis curet homo (St Martial discant mid-12th cent)
Soli nitorem (Notre Dame conductus, 13cent)
Anonymous dances from (London Add. 29987)
Chominciamento di gioa
Istanpitta Ghaetta
Lamento di Tristano e Rotta
Saltarello
Anonymous (baroque)
Cantata al nacimiento “Por aquél horizonte”
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Alonso
La Tricotea (Cancionero de Palacio)
Bartolomeo degli Organi (1474-1539)
Questo mostrarsi adirata
Bertran de Born (c.1140-c.1210)
B.em platz lo gais temps de pascor
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Cancionero de Palacio (anonymous works)
Aquello traté Domingo
Ay triste que vengo
Calabaza, no sé, amor
Es la vida que cobré
Fata la parte
Tres morillas me enamoraron en Jaén
Cancionero de Medinaceli (anonymous works)
Corten espadas afiladas
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Cantigas de Santa María
De muitas maneiras busca (121)
Tod’ ome deve dar loor
Castello, Dario
Prima Sonata a due soprani
Cornago, Johnannes
Gentil dama non se gana (Cancionero de la Colombina)
de la Torre, Francisco
Danza alta
Gaucelm Faidit (c.1170-c.1230)
Fort chausa es que tot lo major dan (1199).
Giraut de Bornelh (c.1140-c.1200)
Reis glorios
Guerrero, Francisco
Hermosa Catalina
Guerrero, Pedro
O más dura que marmol (Garcilaso) from Daza, El Parnaso, 1576
Guilhem de Montanhagol (13 cent)
Bel m’es quan d’armatz ang refrain
Guiot de Dijon (late 12th cent)
Chanterai pour mon coraige (1189)
Landini, Francesco (c1325-1397)
Angelica biltà
Che pena èquest’ al cor
Contemplar le gran cose
Ecco la primavera
Non avrá ma pietà (Faenza Codex)
O fanciulla giulia
Machaut, Guillaume de (c.1300-1377)
Biauté qui toutes
Dame de qui tout ma joie (ballade)
Dame vous sans retollir (virelai)
De toutes flours
En amer a douce vie (balladelle)
Esperance qui m’asseure
Helas! Tant ay dolour
Honté, paour, doubtance (Faenza Codez version)
Je suis trop bien
Joie, plaisance (chanson royalle)
Mon fin est ma commencement
Qui n’aroit autre déport (lai)
Tels rit au main que au soir pleure (complainte)
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Marcabru (c.1110-c.1150)
Pax in nomine Domini
Montalbano, Bartolomeo
Sinfonia nº 4 “Geloso” (1629)
Monteverdi, Claudio (1567-1643)
Adagiate Poppea (from L’incoronazione di Poppea)
Lidia, spina del mio cuore
O rosetta
Morales, Cristóbal de
De Antequera sale el moro (arr. Fuenllana)
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Mudarra, Alonso (c.1510-1581)
O gelosia d’amanti
Peire Cardenal (fl. c.1225-1272)
Tartarassa ni voutour
Romances y letras a tres voces (anonymous works)
Las voces del fuego y de sangre
Lo mejor de mi vida
Fertiliza tu vega, dichoso Tormes
Ortiz, Diego
Recercada sobre Doulce memoire
Recercada sobre el passamezzo
Ordoñez, Pedro
Ay mudo soy (from El Parnaso, Esteban Daza, 1576)
Ponce
Torre de la niña (Cancionero de la Colombina)
Sarragli, Giovanni (c.1480-1540)
Donna el pianto
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Thibault de Navarre (1201-1253)
Dex est ausi comme li pellicans (trouvere sirventois)
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Tromboncino, Bartolomeo († c.1535)
Ala guerra (Bossinensis Lute book, 1509)
Vásquez, Juan
De los álamos vengo, madre
Duélete de mí, señora
Vicentino, Nicolò
Solo e pensoso (Il quinto libro di madrigali, 1572)
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